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Elegy for the Writer

Traces of a Life Written, Now at Rest

By Tim CarmichaelPublished about 5 hours ago β€’ 2 min read

The desk has become a tideline

of what was once a shore.

πŸ“œπŸ–‹

The jars of ink have hardened into obsidian,

their depths no longer stirred

by the frantic search for a beginning.

πŸ“œπŸ–‹

He was a man who inhabited

the narrow space

between a thought and the first black stroke,

a tenant of the white margin,

always turning into the wind of a sentence

to see where the vowels might scatter.

πŸ“œπŸ–‹

Loss did not manifest with a roar.

It was a slow unspooling,

a gradual thinning of the paper,

until his handwriting became a ghost

of its former strength,

the loops of the letters stretching

as if reaching for a meaning

that kept drifting just past the edge of the wood.

πŸ“œπŸ–‹

The absence shows up in the objects left behind:

the stack of yellowing legal pads,

the brass paperweight

that no longer has anything to hold.

πŸ“œπŸ–‹

The stillness in this room is full of the things

he started but never released,

a thousand unfinished bridges

built toward a land he could no longer see.

πŸ“œπŸ–‹

He lived for the friction of the mind

against the flat, unyielding field.

He knew the precise pull of a noun,

how a single word could anchor a memory

or set a whole life adrift.

πŸ“œπŸ–‹

Now the meter of his heart

has finally untethered from the line.

The metaphors have unhooked their claws,

and the adjectives have let go of their colors.

πŸ“œπŸ–‹

There is no longer a need for the scratching of the metal,

the desperate hunt

for the exact curve of an 'S'

or the sharp tug of a 'T.'

πŸ“œπŸ–‹

What remains is the trace of the effort.

It sits in the indentation left on the blotter,

a faint map of a journey through the night.

πŸ“œπŸ–‹

The poem he was always writing

has finally reached its perfect state,

a clarity that requires no ink,

a music that needs no ear to be heard.

πŸ“œπŸ–‹

He has become the very thing

he spent a lifetime trying to describe:

the wide, unprinted space,

the hush that is not empty,

the light that stays after the lamp is gone.

Free VerseElegy

About the Creator

Tim Carmichael

I’m a firm believer life is messy, beautiful, and too short, which is why I write poems full of heart and humor. I am an Appalachian poet and cookbook author. My book Beautiful and Brutal Things is on Amazon, Link πŸ‘‡

https://a.co/d/537XqhW

Reader insights

Outstanding

Excellent work. Looking forward to reading more!

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  1. Compelling and original writing

    Creative use of language & vocab

  2. Easy to read and follow

    Well-structured & engaging content

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    The story invoked strong personal emotions

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    Zero grammar & spelling mistakes

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    Writing reflected the title & theme

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Comments (2)

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  • Tiffany Gordonabout 2 hours ago

    Fantabulous work Tim! Very poignant! πŸ’•

  • Caitlin Charltonabout 3 hours ago

    🌼The antithesis in the opening is brutal yet beautiful. I can clearly feel the shift from the vastness of a shore to the narrowness of a tideline; it is a strikingly accurate portrayal of a lost flow state. 🌼The "unspooling" stanza is a brilliant use of asyndeton. Those breathless steps kept me locked in the tension of that ebbing energy. It feels quiet, yet deceptively heavy. I often take my own inspiration for granted until I am left staring at the tideline you described.

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